einS

einS	deutsch \| english

A production for 4 instrumentalists and 3 dancers

Reviews

Tanzpresse (pdf/german)
30.Juni 2010
by Ann-Christin Görtz
“Another world opens up – far from big city noise, immersed in atmospheric timelessness… The focus remains on the dancers who move with a great deal of sensitivity. Knocked about by the strains of the outer world, they pull together, experience the greatest possible harmony among each other only to be ripped apart all of a sudden in the next moment. Thanks to the lively sense of expectation, combined with a return to one’s self that never fully blocks out the spectator, the dance produces a sense of spirituality far from any religions. Erek and Andre manage to perfectly coordinate the venue, stage design, sound and dance – without being dramatically emotional.”

Dance Unity (pdf/german)
July 4th, 2010
by Rain Kencana
“…Divine breath plays a central role in Canan Erek’s piece. The four musicians, who display a supernatural effect, distinguish themselves primarily through a remarkable silence…. The restraint of melodies and melodious sounds of any kind produces a stifled rhythm, which, along with the recurring movement patterns of the three dancers, slows down reality. They symbolize a trinity without being in unison at all times.”

taz (pdf/german)
28.6.2010
by Tim Caspar Boehme
“An almost spiritual moment with a truly stronger impact comes at the very end when dancers and musicians sing soft trilled tie-tones that slowly surge and subside, mesh with one another, thereby producing a musical limbo."

Süddeutsche Zeitung
29.6.2010
by Dorion Weickmann
“…when all of the actors wander across the stage and join together in song, einS experiences a magical moment.”

Radio-Interview
live in rbb KULTURRADIO - DER CLUB at June 26, 2010 between 12:05h and 13:00h.